Kenneth Clark, The Nude, chs. 2, 3 ("Apollo," "Venus
I")
J. J. Pollitt, Art and Experience in Classical Greece
Martha Nussbaum, Love's Knowledge, Intro., chs 1, 2, 5, 6
Paul Ricoeur, The Rule of Metaphor, ch. 1 ("Between Rhetoric and
Poetics")
Erwin Panofsky, Meaning in the Visual Arts, ch. 1 ("Iconology and
Iconography")
Erwin Panofsky, Studied in Iconology, ch. 6 ("The Neo-Platonic Movement
and Michelangelo")
M. Ficino, Commentary on Plato's Symposium (PAB pp. 204-238)
Shaftesbury, Characteristics (PAB pp. 241-261, 271-76)
David Hume, "Of the Standard of Taste" (ACA pp. 242-253)
Ted Cohen, ed., Essays in Kant's Aesthetics
Jacques Derrida, Truth in Painting, ch. 1 ("Parergon")
Clement Greenburg, Art and Culture
Pierre Bourdieu, "The Historical Genesis of Pure Aesthetics," in R.
Shusterman, ed., Analytic Aesthetics
Schiller, Letters on the Aesthetic Education of Mankind
Hannah Arendt, Lectures on Kant's Political Philosophy
Jacques Taminiaux, Poetics, Speculation, and Judgment
Jean-Francois Lyotard, Peregrinations
Karsten Harries, The Bavarian Rococo Church, "Conclusion: The Death
of Ornament"
Arthur Danto, The Philosophical Disenfranchisement of Art, ch 5 ("The
End of Art")
Arthur Danto, After the End of Art, ch. 5 ("From Aesthetics to Art
Criticism")
Lee Brown, "Resurrecting Hegel to Bury Art," Journal of the British
Society for Aesthetics
Schelling, Philosophy of Art
Philippe Lacoue-Labarthe & Jean-Luc Nancy, The Literary Absolute
Schopenhauer, The World as Will and Idea (PAB 448-495)
Nietzsche, The Birth of Tragedy (PAB 498-554)
Thomas McEvilly, The Exile's Return, ch. 1 ("The Monochrome Icon")
Nicholas Wolterstorff, "Philosophy of Art after Analysis and Romanticism,"
in Analytic Aesthetics
Meyer Schapiro, Selected Papers: Theory and Philosophy of Art ("The
Still Life as Personal Object -- A Note on Heidegger and Van Gogh")
Jacques Derrida, Truth in Painting, ch. 4 ("Resititutions")
Jeremy Gilbert-Rolfe, Beyond Piety, ch. 13 ("Van Gogh, Schapiro,
Heidegger; and Derrida")
Kathleen Wright, "The Place of the Work of Art in the Age of Technology"
in C. Macann, ed., Heidegger: Critical Assessments, Vol. 4
Karsten Harries, The Meaning of Modern Art
Dan Dahlstrom, "Heidegger's Artworld," in Harries and Jamme, eds.,
Heidegger: Politics, Art, and Technology
Ernst Gombrich, Meditations on a Hobby Horse
Richard Shusterman, "Interpretation, Intention, and Truth," in Journal
of Aesthetics and Art Criticism (1988), pp. 399-411.
E. D. Hirsch, Validity in Interpretation (section on Gadamer)
Michael Krausz, Rightness and Reasons
Robert Stecker, ArtWorks, Part II ("Meaning")
Norman Bryson, Vision and Painting
Merleau-Ponty, The Visible and the Invisible
Merleau-Ponty, Signs ("Cezanne's Doubt")
Andre Malraux, The Voices of Silence, ch. 1 ("The Museum without
Walls")
Rudolf Arnheim, Art and Visual Perception: A Psychology of the Creative Eye
Richard Shusterman, Pragmatist Aesthetics ("Beneath Interpretation")
Christoph Jamme, "The Loss of Things: Cezanne, Rilke, Heidegger,"
in Heidegger: Politics, Art, and Technology
Ted Cohen, "A Critique of Sibley's Position" (ACA pp. 375-393)
Monroe Beardsley, The Aesthetic Point of View
Roman Ingarden, Selected Papers in Aesthetics (esp. "Aesthetic Experience
and Aesthetic Object," and "Phenomenological Aesthetics")
Roger Scruton, Art and Imagination ch. 10 ("The Aesthetic Attitude")
Roger Scruton, "The Aesthetic Endeavor Today," Philosophy vol.
71 (1996)
Roger Scruton, "Analytic Philosophy and the Meaning of Music" in Analytic
Aesthetics
Robert Stecker, ArtWorks Part III ("Value")
Timothy Binkley, "Piece: Contra Aesthetics"
Robert Stecker, ArtWorks Part I ("Definition")
Stephen Davies, Definitions of Art
Jerrold Levinson, Music, Art, and Metaphysics Part I ("Art and History")
John Brough, "Art and Artworld: Some Ideas for an Husserlian Aesthetic,"
in R. Sokolowski, ed., Husserl and the Phenomenological Tradition
John Brough, "Who's Afraid of Marcel Duchamp?" in D. Dahlstrom, ed.,
Philosophy and Art
Joseph Margolis, "The Nature of Art's Nature," in Philosophy of
Art
Joseph Margolis, "The Eclipse and Recovery of Analytic Aesthetics,"
in Analytic Aesthetics
Noel Carroll, "Essence, Expression, and History: Danto's Philosophy of
Art," in M. Rollins, ed., Danto and his Critics
Donald Kuspit, Signs of Psyche in Modern and Postmodern Art l
Rosalind Krauss, The Originality of the Avante-Garde, and Other Myths
Theodore Adorno, Aesthetic Theory
Herbert Marcuse, The Aesthetic Dimension
Peter Burger, The Theory of the Avante-Garde
Mikel Dufrenne, Phenomenology of Aesthetic Experience
Albert Hofstadter, Agony and Epitaph
Albert Hofstadter, Truth and Art
Karsten Harries, The Ethical Significance of Architecture
Richard Wollheim, Art and its Objects
Richard Wollheim, Painting as an Art
Wallis, ed., Art after Modernism
This page maintained by Steven Crowell
Last updated: August 21, 2003