The horizontal arrangement of the parts of a building or a drawing
or diagram showing such arrangement as a horizontal section.
The Plans of Saint-Sernin, Toulouse and Amiens Cathedral:
Saint-Sernin, Toulouse: In its general features, the
plan is similar to other pilgrimage churches such as
Ste.-Foy in Conques, St.- Martial in
Limoges, St.-Martin in Tours, and St.-James in Santiago de Compostela. A
cruciform plan, includes a five-aisled
nave
with a central vessel and two side aisles on each side (perhaps
based on Old Saint Peters or Cluny III). A strongly projecting
transept
is also aisled with two chapels off the eastern side of each arm. To the east of the
transept is the
choir
that includes an ambulatory and five
radiating
chapels. The aisles in the nave, transept, and choir (ambulatory) permit the
pilgrim to circumambulate the entire church without entering the central vessel. The eastern
portions of the choir are constructed above a
crypt.
Because of the more complex arrangement of spaces, the portion east of the transept in the
Romanesque period is referred to as the
choir
rather than
apse, the term
used to describe the semicircular space east of an Early Christian or Byzantine transept or
nave. The transept crossing piers and western nave piers are enlarged to support towers.
Portals are found on the transept terminals (the Porte Royale and the Porte des Comptes);
the eighth bay of the nave (the Porte Miègeville), and the western
entrance. Regular rectangular
bays
form the length of the nave, transept and choir and the plan proportions (the square bays of
the aisles and the rectangular bays of the central vessel) are based on square
schematism derived from the square of the transept
crossing. Square schematism results in great regularity and harmony of spatial
proportions. (Note: In a good ground plan dotted or broken lines usually indicated groin
vaults whereas a solid line indicates ribbed vaults).
Amiens Cathedral.
This cathedral has a Chartrain plan (similar to Chartres and Reims) with
a three-aisled nave (central vessel and two side aisles), an aisled
projecting transept placed halfway between the nave and choir, and a
choir with a single ambularoty and seven radiating chapels.
The space between aisles, transepts, choir and nave is more fluid and
integrated than in
the compartmentalized plan of Saint-Sernin. There are triple portals on west facade and single portals on
transepts
arms. A very narrow bay at west end of nave supports thin rectangular
western
towers. The plan indicates vault types (unbroken line indicates ribbed
vaults with a star vault over the crossing (includes lierne and
tierceron ribs). Bays are rectangular but square schematism is not present.
- Left: Saint-Sernin, Toulouse, Romanesque Pilgrimage Church, c. 1080-1120
- Right: Notre-Dame, Amiens, French Gothic Cathedral, begun 1220
Comparisons:
Speyer Cathedral
German Romanesque, begun 1030
St. Philibert, Tournus
French Romanesque, c. 950-1020
Sant' Ambrogio, Milan
Italian Romanesque, late 11th century
Durham Cathedral
English Romanesque, c. 1093
St. Pierre, Angoulême
French Romanesque, 12th century
Abbey of St. Denis
French Early Gothic, choir 1144
Abbey of St. Denis
French Gothic, nave rebuilt from 1231
Laon Cathedral (Notre-Dame)
French Early Gothic, begun 1160
Paris Cathedral (Notre-Dame)
French Gothic, begun 1163
St. Elizabeth, Marburg
German High Gothic, 1233-1283
Canterbury Cathedral
English Early Gothic, begun 1179
Salisbury Cathedral
English High Gothic, begun 1220
Gloucester Cathedral
English Perpendicular, choir redesigned 1332-1357
Florence Cathedral
Italian Gothic, 1296-1436