Jacquemet’s last sentence of the article describes the final arrival of the immigrants in Italy: "My last image is not of a group of workers heading toward the place where they are needed, but a group of clandestines seeking to be unnoticed, to fend off the intolerance of a local population suddenly feeling that there are too many "others" (388). In what ways could this article be a response to that image of anonymous "others"?
How does Italy serve as both an idea and a material reality for the Moroccan individuals in this article?
Jacquement describes how Europe serves as a consistent idea or fantasy in Morocco, but also describes the multiple, conflicting, and ambivalent feelings that single individuals have towards that fantasy. How do both the negative and positive responses by individuals both support the same idea of Europe?